As an enormous fan of the movie since childhood and the Broadway adaptation (which I saw seven times), I am completely ecstatic with this production. I was too young when I first saw the film to decipher what is problematic with it; but I instantly loved - and continue to - the songs, the characters, dancing, 1980s’ness… everything. And whether or not you’ve seen the film, the stage musical is a riot. At only 90 minutes, without intermission, it brilliantly celebrates and satirizes the film, while also improving upon plot issues. For all that it is an excellent show, if not mounted correctly, it can induce more cringe than comedy; but happily, the Metropolis rendition is a major score.
It marks my first time attending a show at Metropolis PAC in Arlington Heights, IL (easily accessible from both Milwaukee and Chicago areas). The theatre is situated in the most adorable area - packed with things to do along the surrounding, walkable streets. The auditorium, itself, is among the best laid out I’ve experienced; not a bad seat. The magic begins prior to showtime when Sonny Malone, expertly portrayed by Ty Schirmer, works on his mural of muses; a clever choice considering the character breaks the fourth wall. Ty’s Sonny is vocally and comically reminiscent of the Broadway originator, Cheyenne Jackson. He pays great homage to the star and although much younger, earns every moment of Sonny’s innocence and charm; a task only very savvy performers can achieve. The sister muses are impeccably cast with standouts Elenia Dokos as wicked woman Melpomene, who also channels originator Mary Testa, and Kyle Patrick, one of the two male sisters, whose dance skills draw the eye. It was great to see how the role of Calliope unfolds, cast with a nonbinary performer. Joey Prette has a wonderful voice and along with Elenia, provides laughs while trying to foil the love story. As Danny Maguire (portrayed by Gene Kelly in the film), Tony Calzaretta bests Broadway’s Tony Roberts. But it’s the incandescent Sophia Mae Brenner, as Kira, who steals the show - not often a realistic feat for the lead performer - and even so here, among a phenomenally strong cast. This is a role she was born to play and her star power radiates in every moment. The simplistic stage design serves the space and story, allowing the performers to transport your imagination to 1980s Venice and the Kingdom of Zeus. The use of jewel tones in costuming are a refreshing choice. Director Kevin Wiczer found all the nuance, fun and heart Xanadu has to offer. I’m tempted to return for a second viewing! Don’t miss “Xanadu,” now playing through August 13.